#it's not even in the present plotline

[timothyslucy]

ik we're literally only two episodes deep, but this is such a fun season already, and i can't wait to see how it's going to play out now that bailey's back, and we're finally getting back to the major plotline of prison escapees oscar and jason.

[bookinit02]

in honor of my s5 announcement this week, here’s one of the scenes from the first episode! hope you all like it🫶🏻

[broken-clover]

It's eternally a little funny whenever I see someone say something along the lines of 'everyone in Strive is so happy now! Everyone's stories are getting resolved! It'll be hard to make a new game when everyone's retired and living peacefully and resolved their problems' and then there's a haunted semi-sentient mecha corpse in the corner constantly screaming from being trapped in limbo

[cinerins]

Rewatching Before I Sleep makes me so emotional in that last conversation between our Weir and the original, when Elizabeth says "You gave up your entire life" and her withered counterpart responds with "No [...] The best part of my life is just beginning" — Oh it hits so much worse knowing everything that follows in this series

[lurkingshan]

Creating a conflict you claim is serious and putting us through the hardship and fallout for an entire month only to hand wave it away and say it magically doesn’t matter anymore is not remotely cute actually

[sukibenders]

Being a woc fan of Bridgerton can be a struggle, especially when it comes to liking the poc characters on the show, especially the woc. Like I remember when s1 came out and the blatant microaggressions and just plain racism coming from this fandom was atrocious. You had people spewing very hateful things about Charlotte, Marina, and Simon and undermining the latter two's pain and trauma at the hands of the white characters---Marina was treated terribly by the Featheringtons and, whether you like Penelope or not, you cannot deny that she also played a part by releasing that letter to the Ton and Simon was violated Daphne no matter how people try to spin the story to offer her some form of sympathy (it still blows my mind that people would want to though).

S2 is just as bad (not even including how they changed the Sharma family's storyline than how it was in the books when that wasn't necessary) and the racist undertones many of the fans have towards Mary and Edwina (as well as Kate but for her it's carries more brown woman needing to be saved by a white man when Anthony is involved because a lot of you all in the fandom are quick to use this trope such as "oh, he's the only one who truly knows her"). The lack of screen time for this family really ends up hurting them to but even with that, whether you like Mary and Edwina or not, it would be a lie to deny the racism a lot in the fandom hold towards them (and how that falls onto the actresses because it was very apparent how many in the fandom couldn't let two Desi women shine without having to bring down the other and Netflix played into that too for drama) and paints every small thing they do as being terrible crimes but in the same breath will not have the same smoke for the Bridgertons, who have their own set of problems (but because they are also the main family, among other things, they are provided more grace without consequences).

[puhpandas]

you know the content drought is bad when you think about content from over a year ago and still get excited

[saph-yells-into-the-void]

it took 90 chapters but I'm think I'm finally enjoying this manga. 80% of this is because there finally isn't a shitload of misogynistic fan service in my screen.

[sovereignzofdarkness]

the more I think about it the more I get frustrated about how the game has just consistently treated lychee like ass

[summertimesadnessirl]

Is it inaccurate in a way that allows the modern viewer to understand the mindset and the world of the characters at the time effectively or is it inaccurate in a way that makes it seem like they wanted to make a CW show and they ran out of paranormal creatures?

Is the overall plotting and characterization speaking about issues that people in this time were struggling with and that these historical figures were themselves either struggling with themselves or that their stories were used to examine at the time in some way? Would they fucking say that?

historical inaccuracies in period dramas are okay as long as i like them

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[kaythefloppa]

The one good impact Bunk'd had is that it can serves the best example to why shows being renewed for more seasons past their prime is not always something to be celebrated over or fought for.

[dimehun]

Death n the maidens was so weird w some its plots i think that writer should amswer for it in a court of law for some of that but ohh the tragedy ohhh TALIA 🫠

[boygun]

Running out of tags rn. I'm in no way bashing the meme I just used this post to ramble on a bus stop out of boredom. Also I'm in no way saying the Darkling didn't abuse others, but like. Except for the emotional attachment I feel towards the story, I don't look to deep into it, idk how I would feel if he existed in our world. He doesn't so I don't really care.

Tldr.: the cult is “Aren't you tired of being nice? Don't you want to go apeshit?” for me and I think it's fun

[hyperions-light]

Someone was being a fucking hater on my explicitly positive DATV post AGAIN (u all know I can see your tags right. They get delivered to me express mail style) so here’s an essay about how I thought the Grey Warden plotline was great:

First, it was extremely lore-consistent. I don’t know how to tell people this, but the Grey Wardens simply are sort of shady— it’s part of their charm. In DAO alone we found out they:

- kill anyone who refuses the joining

- are definitely using a blood magic ritual to induct people

- tried to usurp the throne of Fereldan

In DA2 they:

-Forced Malcolm Hawke to perform a blood magic ritual against his will to contain Corypheus, by threatening to kill his family

- Built a giant prison in the mountains they didn’t tell anyone about and that someone could wander into and not be able to escape

- the entire Corypheus thing. They didn’t even tell the other Wardens like what he was or how dangerous he was.

DAI:

- the demon army thing was pretty bad

And that’s not even mentioning any stuff from the books or comics or shows! That’s just stuff in the games!

So they’re shady. It’s okay! They’re my little woobie guys, idc if they’re sort of shady!

But the plot in DATV is about all of those previously established issues coming back to bite them in the fucking ass, as they should! Knock knock, it’s the consequences of your actions, baby! The chickens are home to roost

(Which is just good storytelling. Like if you set up a bunch of issues and then never pay them off or anything that’s bad.)

Destroying Weisshaupt was inspired! Firstly bc Davrin is Weisshaupt, metaphorically (bulwark against the darkness, etc, I already made a post) so it serves his character arc. But also because it strips away the pageantry and the grandeur from them; no more castle for you! No more myth!

Davrin explicitly tells you that the First Warden is a traditionalist; he represents the historical attitudes of the Wardens. They do not accept help, they do not give up their secrets, they are standing alone against the dark. And it doesn’t work! He’s fucking wrong (and very punch-able). Being secretive and isolationist is a mistake that costs them nearly everything.

But also, and I’m not sure how many people experienced this on the first go-around, the game does ultimately come down on the side of the Wardens always trying to do the right thing. You CAN talk the First Warden down, because in the end he’s a Warden, and he might be stubborn and curmudgeonly and miserable but he CARES about the world. He came to do good. He admits he was wrong and he helps you. Because the heart of the Wardens is about selfless service to other people. In Death, Sacrifice.

Stripping away Weisshaupt and the glory and pageantry leaves the Wardens at their most vulnerable and forces them to return to their fundamental principles: helping people. That’s what Lavendel is about. Helping individual people and preserving every life possible even if it doesn’t feel that glamorous or heroic. Lavendel isn’t a significant place; it doesn’t matter, but it matters so much.

And then, the Cauldron.

First off, do not at me about Last Flight. I don’t think people should have to read external materials to play this game and understand it. If the information is vital it should be presented to the player in the text.

The Cauldron is the repository of the Wardens’ secrets; it’s where the keep the bones of the Archdemons, the secret to the Joining, ancient and dangerous weapons, as well as the bodies of the griffons, which represents their most shameful errors. Isseya is the avatar of the Wardens’ mistakes; she’s been hurt by what they made her do, and her pain was never acknowledged by them. They buried her story and her suffering like they bury everything they don’t want to deal with and are ashamed of. They left the bones of the griffons, whose deaths they directly caused, to rot because they were too sad to acknowledge them.

But it was wrong to walk away, it was wrong to bury it. Isseya makes sure that they can never do that again, that they have to own what they did and take responsibility. By discovering who she is and by restoring her personhood to her, by reminding her of her love which drove her to her anguish in the first place, Davrin saves her and he saves the griffons. He doesn’t do it using violence, because another sin of the Wardens is just assuming that they can kill their way out of their problems, which the game disproves by revealing the origin of the Blight. You can kill as many darkspawn as you want, you will never fix it! The Titans’ dreams do not need to be slain, they need to be healed.

Isseya is in so much pain because of her incredible love for both the griffons and the Wardens, and because of her guilt. Look what she builds! An alternate Weisshaupt, a distorted reflection of her home. She entreats both Davrin and Assan to join her, because she doesn’t think she’s trying to destroy anything. She’s trying to save them! She wants them to come home. “I am their mother,” she says, and she’s right. She saved them, then, and she ends up saving them now! Because she made Davrin and the other Wardens look, unflinchingly, at what they had done, it will never happen again. She was going about it wrong during the game, but she was ALWAYS trying to save them.

Davrin, Antoine and Evka represent the Wardens’ commitment to being different. They let Flynn undergo the Joining without becoming a Warden, they reveal secrets to non-Warden Rook, they offer to help the Viper without asking for anything in return. They ask for help and offer it freely. If the Wardens are going to persist into a world without Archdemons, they HAVE to change. They can’t be what they were anymore. The game is asking what a Warden is when they have to be more than their oath, when they have to live. It’s a great exploration of and expansion on previously established lore.

Anyway, my advice if you hated the plot and the game and the characters is to a) make your own post b) don’t bother me about it, because I have the time and I will be loudly positive in response!

[sandraharissa]

s2 intro was so fire. and I thought like s1 it showed/hinted at the things that would happen during this season. but most stuff didn't happen or it didn't live up to the imagery used in the intro

Vi smudging the VI tattoo. it implies that she would struggle with her identity and the name connected with it and the legacy connected with it, like Jinx did in s1. maybe this could even be her going so far as to reject the name itself, like denying that she's The Vi to keep a low profile. like how Jinx would insist that she's not Powder in s1. but none of that ever happened. Vi never struggles with 'being Vi' or what it means to her or with being Vander's prodigy even tho he's brought back from the dead.

this shot implying that this was gonna be a story about the sisters, but also that Jinx is Vi's burden or her shadow or a demon on her shoulder. but to explore Vi's feelings on her sister and what she's become they'd have to try to explore Vi at all

this shot which implies to me 'Jinx being Jinx' cos it's a callback to when she does the finger gun in s1, but even more so to when she does it as a kid in the Enemy MV. in the scene she, when she still went by Powder, aims a finger gun at enforcers and as she pretend fires at them it flashes to Jinx standing there. so a 'Jinx was always Jinx' message. but it also alludes to her having a target like the firelight in s1 or the enforcers in the MV, who she always hated.

the two times we see Ekko he reverses time, which ig he technically does but the meat of his story is him going to a parallel universe, not going back in time. idk ig I thought that time travel would be more relevant to Ekko's story than parallel universe travel. in the end time travel is only meaningfully used for the timebomb angst scene even tho it's not really necessary there. ig I thought the powers would be more relevant to Ekko's whole character and arc. in an Ekko lol short he reverses time to defeat the bad guy and when he finally succeeds it's at the cost of the destruction of the mural for dead kids, and so he goes back in time again. that's more meaningful than anything they did with firelights in s2 (and arguably more meaningful than the timebomb scene). why did they drop the sick tree plotline? the firelights? his past with Jinx? his involvement in the revolution? the past vs present and saving the things we love? I swear they were teasing me with an epic time travel episode but delivered a parallel universe (derogatory) episode.

this type of shots made me think that Cait would actually struggle internally to an extreme degree with her actions and how the power corrupts her etc. that she'd become horrified of what she's become. and how she'd hate and struggle with maintaining her appearances to the public.

the first shot made it seem like, just like Cait, Jayce would struggle with public attention and maybe scrutiny, considering he was the head of the council in s1. but then the first thing he does this season is resign and that's that for him being a public persona and struggling with his reputation even tho s1 and his lol lore focus on that. like that stuff's so juicy don't get rid of that.

the second shot hints to me at him discovering smth grand/important connected to the arcane, which ig kinda happened but what it ended up being is that Jayce got transported to a bad universe and learned that arcane bad. meanwhile this shot evokes to me smth more awe-inspiring, idk like smth mystical and magical, arcane, you could say. with white bright light often being used in media to communicate divinity. wild runes mumbo jumbo and Jayce being transported to a bad arcane universe seem so pedestrian compared to like, heavenly lights ig.

both concepts for Jayce's story that were introduced in the intro and the eps delivered on neither.

I don't remember the french revolution ending with the ppl teaming up with the royalty. I also don't get the impression that there are any french revolution stories out there with the hero thinking the revolution is an irritating nuisance. this parallel is so extremely unwarranted and borderline offensive.

Viktor did turn out to be evil and he did get a cult as this shot implied but the mask obvs references his lol mech suit that he never gets. there was no reason for him to be designed the way he was, as an arcane deity with specifically a mask, outside of for the purpose of having the faintest similarity to his lol design. the mask, the cult, all that third arm imagery in s1? it all references his lol lore, for nothing, cos they took his character in a drastically different direction. talk about blue balls. and same thing with the light as with Jayce, the light coming from the mask implies Revelations connected to the mask but also loss of identity/being consumed by it. maybe a glorious evolution? idk it again just feels like someone knew what the fans wanted but it wasn't the writers. but someone still put all this in the intro. teasing a better story that we'll never get to see.

there's also all the Black Rose imagery that seemed important even tho they weren't in the end. it being connected to Mel (politician) and Ambessa (politician/warrior) made me think that they would focus on the Black Rose being a political organization that wants smth connected to Piltover and the PnZ conflict, with all the imagery of holding the rose/squishing the rose/being the rose/picking up the rose alluding to the political scheming between Ambessa/Mel/the Black Rose. but they went the route of out of nowhere making Mel magic. imagine if in a random ep of s1 they made Silco magic.

why? why why why why why?

the intro did more for all the character arcs than the episodes themselves